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Bruce Sussman And Barry Manilow Endorse The Largest Exhibition On Auschwitz

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New York, NY – The Museum of Jewish Heritage – A Dwelling Memorial to the Holocaust is releasing a collection of digital spots from celebrities and elected officials that encourage individuals to visit probably the most complete Holocaust exhibition about Auschwitz ever exhibited in North America. Auschwitz. Not way back. Not distant. The groundbreaking exhibition is now open via January Three, 2020 in New York Metropolis.

The digital spots are operating on digital platforms Instagram, Fb, and Twitter. They function:
• Internationally acclaimed singer-songwriter Barry Manilow – who’s now in a limited engagement on the Lunt-Fontanne Theatre on Broadway – and his co-songwriter Bruce Sussman, who collectively created the musical, “Harmony,” set in Germany in the course of the 1920s and 1930s.

• Emmy Award-winning actor Julianna Margulies;
• U.S. Congressmember Carolyn Maloney, a proponent of Holocaust schooling;
• Dr. Ruth Westheimer;
• New York Metropolis Council Speaker Corey Johnson; and,
• Theatrical award nominee and winner Steven Skybell, presently starring within the Off-Broadway manufacturing of “Fiddler on the Roof” in Yiddish.

“Since the exhibition’s opening in May, more than 75,000 people have already born witness to the dehumanization and destruction perpetrated at Auschwitz,” stated Jack Kliger, President & CEO of the Museum of Jewish Heritage – A Dwelling Memorial to the Holocaust. “We are grateful to the public figures who have given their time to show support for this important and timely exhibition. Together, we must combat hatred in our country and our world, and raise awareness so that the evils of the past are not repeated.”

“We can never erase from our memory the knowledge that at least six million Jewish people were murdered. Six million. Many people are claiming, incredibly, that the Holocaust never happened. That is one reason why this exhibit is so important. All people, especially young people, must never forget what happened,” Barry Manilow stated.

“In a world of skyrocketing rates of antisemitism, Holocaust education is critical,” Rep. Carolyn Maloney stated. “We must fight to ensure that our nation understands the horrors of the Holocaust, and the intolerance and bigotry that led to it. I hope people are able to grasp the reality of the Holocaust as they take in the stories of survivors, see photos, and examine items from Auschwitz. I want them to connect to all those who died at or survived Auschwitz, who lost loved ones there, who have family members who will never be the same because of the horrors they saw. I hope the Auschwitz. Not long ago. Not far away. exhibit motivates all of us to battle brutality, ethnic violence, and religious intolerance of all kinds.”

“The lessons of the Holocaust are as universal and brutally true today as they were in the 1940s, and it is incumbent upon all of us to share those lessons with the world so the horrors of Auschwitz are never repeated,” New York City Council Speaker Corey Johnson stated. “I applaud the Museum of Jewish Heritage – A Living Memorial to the Holocaust for putting on this exhibition that illustrates so vividly the very worst of humanity and conveys a disgusting part of human history that is so difficult to imagine. I hope this comprehensive exhibition forces all of us to think about how we can all work together to build a better world for ourselves and future generations.”

Auschwitz. Not long ago. Not distant. was conceived of by the worldwide exhibition firm Musealia and the Auschwitz-Birkenau State Museum and curated by a world panel of specialists, including world-renowned students Dr. Robert Jan van Pelt, Dr. Michael Berenbaum, and Paul Salmons, in an unprecedented collaboration with historians and curators on the Research Middle on the Auschwitz-Birkenau State Museum, led by Dr. Piotr Setkiewicz.

Auschwitz. Not way back. Not distant. arrived in New York City after the exhibition completed a successful run at Madrid’s Arte Canal Exhibition Centre, where it was extended two occasions, drew more than 600,000 visitors, and was some of the visited exhibitions in Europe last yr. The exhibition explores the twin id of the camp as a physical location—the most important documented mass homicide website in human history—and as a logo of the borderless manifestation of hatred and human barbarity.

That includes greater than 700 unique objects and 400 pictures, primarily from the Auschwitz-Birkenau State Museum, the New York presentation of the exhibition permits visitors to expertise artifacts from more than 20 international museums and establishments on view for the primary time in the North America, together with a whole lot of private gadgets—corresponding to suitcases, eyeglasses, and footwear—that belonged to survivors and victims of Auschwitz. Other artifacts embrace: concrete posts that have been part of the fence of the Auschwitz camp; part of an unique barrack for prisoners from the Auschwitz III-Monowitz camp; a desk and other possessions of the first and the longest-serving Auschwitz commandant Rudolf Höss; a fuel mask utilized by the SS; Picasso’s Lithograph of Prisoner; and an unique German-made Mannequin 2 freight practice automotive used for the deportation of Jews to the ghettos and extermination camps in occupied Poland.

The exhibition features artifacts and materials on loan from greater than 20 establishments and private collections all over the world. Along with the Auschwitz-Birkenau State Museum and the Museum of Jewish Heritage – A Dwelling Memorial to the Holocaust, collaborating establishments embrace Yad Vashem in Jerusalem, Anne Frank Home in Amsterdam, United States Holocaust Memorial Museum in Washington, Auschwitz Jewish Middle in Oświęcim, the Memorial and Museum Sachsenhausen in Oranienburg, and the Wiener Library for the Research of the Holocaust and Genocide in London.

Auschwitz. Not way back. Not distant. traces the development of Nazi ideology and tells the transformation of Auschwitz from an atypical Polish city referred to as Oświęcim to probably the most vital Nazi website of the Holocaust—at which ca. 1 million Jews, and tens of hundreds of others, have been murdered. Victims included Polish political prisoners, Sinti and Roma, Soviet prisoners of struggle, Jehovah’s Witnesses, and people the Nazis deemed “homosexual,” “disabled,” “criminal,” “inferior,” or adversarial in countless other methods. In addition, the exhibition accommodates artifacts that depict the world of the perpetrators—SS males who created and operated the most important of the German Nazi concentration and extermination camps.

The Museum of Jewish Heritage – A Dwelling Memorial to the Holocaust has included into the exhibition almost 100 rare artifacts from its collection that relay the experience of survivors and liberators who found refuge within the larger New York area. These artifacts embrace: Alfred Kantor’s sketchbook and portfolio that include over 150 unique work and drawings from Theresienstadt, Auschwitz, and Schwarzheide; the trumpet that musician Louis Bannet (acclaimed as “the Dutch Louis Armstrong”) credits for saving his life whereas he was imprisoned in Auschwitz; visas issued by Chiune Sugihara, a Japanese diplomat in Lithuania also known as “Japan’s Oskar Schindler”; prisoner registration varieties and identification playing cards; personal correspondence; tickets for passage on the St. Louis; and a rescued Torah scroll from the Bornplatz Synagogue in Hamburg.

Additionally on show from the Museum’s assortment is Heinrich Himmler’s SS helmet and his annotated copy of Hitler’s Mein Kampf, as well as an anti-Jewish proclamation issued in 1551 by Ferdinand I that was given to Hermann Göring by German safety chief Reinhard Heydrich on the event of Göring’s birthday. The proclamation required Jews to determine themselves with a “yellow ring” on their clothes. Heydrich noted that, 400 years later, the Nazis have been completing Ferdinand’s work. These artifacts stand as proof of a chapter in history that must not ever be forgotten.

Auschwitz. Not long ago. Not distant. is introduced in the symbolic, hexagonally-shaped constructing at the Museum of Jewish Heritage. This 18,000-square-foot exhibition introduces artifacts and Holocaust survivor testimony via 20 thematic galleries. At the conclusion of this presentation, the Museum will debut its new everlasting core exhibition.

Throughout its presentation of Auschwitz. Not long ago. Not distant., the Museum is hosting a collection of associated public, instructional, and scholarly programming, featuring world-renowned specialists on the Holocaust. The Museum also is increasing its work with college students in the tri-state area and introducing complementary instructional tools for in-class and onsite use.

Thus far, more than 70,000 individuals have already got attended the exhibition. Following the New York presentation, the exhibition is intended to tour different cities all over the world. Musealia and the Auschwitz-Birkenau State Museum will announce the subsequent destination at a later date.

Auschwitz. Not long ago. Not distant. on the Museum of Jewish Heritage – A Dwelling Memorial to the Holocaust is made potential with lead help by Bruce C. Ratner, George and Adele Klein Household Basis, Ingeborg and Ira Leon Rennert, and Larry and Klara Silverstein & Family. The exhibition is introduced partially with main help by The David Berg Basis, Patti Askwith Kenner, The Oster Household Basis, and The Bernard and Anne Spitzer Charitable Belief. The New York premiere is made attainable partially by Simon & Stefany Bergson with further help from The Knapp Family Basis.

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“I’ll begin from the moment I got you, the moment I saw you lying on the table among my other birthday presents. (I went along when you were bought, but that doesn’t count.) On Friday, June 12, I was awake at six o’clock, which isn’t surprising, since it was my birthday. But I’m not allowed to get up at that hour, so I had to control my curiosity until quarter to seven. When I couldn’t wait any longer, I went to the dining room, where Moortje (the cat) welcomed me by rubbing against my legs. A little after seven I went to Daddy and Mama and then to the living room to open my presents, and you were the first thing I saw, maybe one of my nicest presents.” These words start the diary of Anne Frank, who would have been 90 years previous in the present day. #StoriesSurvive

A submit shared by Museum of Jewish Heritage (@museumjewishheritage) on Jun 12, 2019 at 1:17pm PDT


Entry is by timed ticket out there at Audio information (obtainable in eight languages) is included with admission.
$25 Flexible Entry—entry any time on a selected day
$16 Adults
$12 Seniors and Individuals with Disabilities
$10 College students and Veterans
$eight Museum Members

FREE for Holocaust survivors, lively members of the army and first responders, and college students and academics in NYC faculties (with valid school-issued ID)

Contact the Museum at 646.437.4304 or

Museum hours are prolonged as of Might 8, 2019 for Auschwitz. Not way back. Not distant.
Sunday – Thursday 10 AM to 9 PM Final entry at 7 PM
Friday (By way of October) 10 AM to five PM Last entry at 2 PM
Friday (November to March) 10 AM to 3 PM Final entry at 1 PM

The Museum is closed on Saturdays, Jewish holidays, and Thanksgiving.

Museum of Jewish Heritage – A Dwelling Memorial to the Holocaust
36 Battery Place, New York City
Neighborhood: Battery Park Metropolis in Lower Manhattan for map and directions

The Museum of Jewish Heritage – A Dwelling Memorial to the Holocaust is New York’s contribution to the worldwide duty to never forget. The Museum is dedicated to the crucial mission of teaching numerous visitors about Jewish life earlier than, throughout, and after the Holocaust. The third largest Holocaust museum on the earth and the second largest in North America, the Museum of Jewish Heritage anchors the southernmost tip of Manhattan, completing the cultural and academic panorama it shares with the Statue of Liberty and Ellis Island.

Since 1997, the Museum of Jewish Heritage has welcomed more than 2.5 million guests; it maintains a set of more than 40,000 artifacts, pictures, documentary films, and survivor testimonies and incorporates lecture rooms, a 375-seat theater (Edmond J. Safra Hall), special exhibition galleries, a resource middle for educators, and a memorial art set up, Garden of Stones, designed by internationally acclaimed sculptor Andy Goldsworthy.

The Museum receives common working help from the New York City Division of Cultural Affairs and New York State Council on the Arts.

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